Andy accepted an offer to study law at Liverpool University, almost immediately bumping into Roger McGough at a bookshop as soon as he got there. The ‘jazz and poetry’ movement was at its peak, and Roger invited Andy to dive in: ‘February 1966 was the first time I did a thing with him and Adrian Henri, at the Bluecoat Theatre in Liverpool. It just took off from there. Within a couple of months I was doing poetry events at The Cavern and playing with a band at the University. There was loads going on.’
Soon, on the back of a 1967 poetry anthology entitled The Liverpool Scene, Adrian Henri, Roger McGough and Andy, along with jazz saxophonist Mike Evans and songwriter/guitarist Mike Hart, were taking bookings as ‘The Liverpool Scene Poets’. Roger had to drop out of the poetry gigs (The Scaffold), leaving Andy to suggest to the charismatic Adrian Henri that all they needed was a bassist and drummer to become a bona fide band. Percy Jones and Bryan Dodson (later replaced by Pete Clarke) filled those roles respectively and The Liverpool Scene was born.
An album for CBS had already been recorded, prior to the band’s formation, called The Incredible New Liverpool Scene – basically Andy accompanying Adrian Henri and Roger McGough, recorded over a couple of hours in Denmark Street, London. BBC Radio’s champion of ’the underground’ John Peel took a shine to it and regularly booked the now fully-fledged band (or, as a duo, Roberts & Henri) for his show and for his own live engagements. He also nominally produced their first full-band album, Amazing Adventures Of… (RCA, 1968), in a recording deal secured by their new manager Sandy Roberton – a key figure in the careers of many now legendary acts at the progressive ends of folk and rock music of the time.
1969 saw the Liverpool Scene at their peak – delivering their second album Bread On The Night, touring the UK on a three act bill with Led Zeppelin and Blodwyn Pig, playing to 150,000 at the Isle of Wight Festival and touring America for a gruelling, and revelatory three months. ‘Absolute disaster', is Andy’s verdict on the tour. ‘We suddenly came up against the utter reality of it. With a British audience, given this poetry and a band that were never rehearsed, we got away with it through being so different and [through] our verve and irreverence. None of which worked in America.’
The American experience would nevertheless inspire the band’s best work – the lengthy ‘Made In USA’ suite, one side of their last LP proper, St Adrian Co, Broadway And 3rd (1970).